Separate different tags with a comma. To include a comma in your tag, surround the tag with double quotes. Please enable cookies in your browser to get the full Trove experience. Skip to content Skip to search. Published Ann Arbor : Ardis, Language English. Uniform Title Short stories. Physical Description xix, p. Bulgakov, Mikhail, -- Translations into English.
Soviet Union -- Social life and customs -- Fiction. Summary The stories collected here represent a sampling of the prose that first established Bulgakov as a major figure in the literary renaissance of Moscow in the s, long before he became known as an influential playwright and novelist.
The centerpiece of this collection is the long story "Notes on the Cuff," a comically autobiographical account of how the tenacious young writer managed to begin his literary career despite famine, typhus, civil war, the wrong political affiliation, and the Byzantine Moscow bureaucracy.
This stylistically brilliant work was only partially published during Bulgakov's lifetime due to censorship, but was immediately recognized by the literati as an important work. The other stories collected here range from a sequence about the Civil War to Bulgakov's early reportage on the rebuilding of Moscow in the early s, stories which now have a strikingly contemporary ring.
Bulgakov describes the swindlers who arrived along with NEP, a program for the limited return to a market economy, as well as the vast reconstruction as the city is brought back from the destruction of civil war.
Bulgakov, who burst on the world literary scene in the s with the publication of his long-suppressed The Master and Margarita, has continued to enjoy tremendous success both in and out of Russia where productions of his plays and adaptations of his prose works have found new audiences. Notes Translated from the Russian. View online Borrow Buy Freely available Show 0 more links Set up My libraries How do I set up "My libraries"? Australian National University Library. Open to the public. Orange Library.
Open to the public The University of Melbourne Library. University of Queensland Library. University of Sydney Library.
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Open to the public ; I'm tired, and I have no talent for literature. Be a man. Their way of life - that's easy! I know all about it, through and through. We'll write it together.
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We'll go half and half. The barrister had a warm circular stove. His wife would hang out the washing on a line in the room and then serve us beetroot salad with butter and tea with saccharin. The barrister gave me typical local names, explained the local customs, and I wrote the plot. He wrote as well, and his wife would draw her chair up to us and give us advice. I very soon became convinced that they were both far better at literature than I was. But I didn't feel envious, because I had firmly convinced myself that this would be the last play I would write So we wrote.
He would lie blissfully by the stove and say: "I love writing! A week later the three-act play was ready. When I read it to myself at night in my own unheated room, I am not ashamed to confess that I wept! On the scale of awfulness, it was something really special, something really striking! There wasn't a single line of this collective enterprise that wasn't insolently mind-numbing.
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I couldn't believe my eyes! What an idiot: if I wrote like that what possible hope could there be for me?
Notes on the Cuff
Shame looked out at me from the damp green walls and the appalling black windows. I began to tear up the manuscript. But I stopped myself. Because suddenly, in a flash of uncharacteristically miraculous lucidity, I realized that people who say you must never destroy what has been written are right!
You can tear it up, you can burn it You can hide it from other people. But from yourself - never! It's been done! I can't get rid of it. I had written that astonishing piece. It has been done!
In the local literary sub-department, the play created a sensation. It was immediately bought for two hundred thousand. And two weeks later it was put on. Daggers, bandoliers and eyes gleamed in the fog formed by the breathing of a thousand people. After the scene in the third act when the heroic horsemen had burst in and seized the police officer and the policemen, the Chechens, Kabardians and Ingush yelled: "Got him! The bastard! Serves him right!
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And they followed the young ladies of the sub-department by shouting for the author. In the wings they shook our hands. On a hundred thousand it's possible to get away from here. Westwards, to the sea. Then by sea to France and, by dry land, to Paris! With the rain lashing my face and huddled up in my coat, I ran home through the little lanes for the final time All you prose writers and playwrights in Paris and Berlin, just try! Try, just for fun, to write something really bad!
If you are as talented as Kuprin, Bunin or Gorky you won't succeed. I have broken the record! For collective authorship. There were three of us writing it: I, the barrister and hunger.
At the beginning of ' View all 10 comments. Shelves: russia , short-stories-novellas , bulgakov. This collection includes several longer stories, like the titular Notes on a Cuff , The Crimson Island , and The Fire of the Khans my favorite among the longer pieces , as well as a bunch of shorter stories, among which The Murderer and The Cockroach really stood out. Aug 20, Turkan Kasamanli rated it it was amazing Shelves: books , bulgakov.
However when I finally started to read his short stories I understood how wrong I could be. These stories connect you with Bulgakov as you know him in reality, as he is someone you know very well. It is like you are sitting in the park or maybe kitchen with him and he is telling you about everything - his friends, neighbors, colleagues, places he've been to, stories he heard. We must admit that he was witness of very bad times and his intelligent mind did not suit to bolsheviks' world at all.
In spite of this his absolutely fine intellect and subtle sense of humor makes you smile all the time while you read these narrations. He doesn't play a hero, he admits that he was poor, hungry, scared and lost man.